1,199 Royalty-Free Audio Tracks for "192 Equal Temperament Intervals"

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

D♭7♯11 chord = G7alt chord.

*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

Dominant thirteenth chord in four-part writing.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

*Hundred-forty-third subharmonic on C = B↓. Just: 256/143 = 1008.15 cents. Limit: 13-limit. MIDI pitch bend: 78,66

*Hundred-fifty-third subharmonic on C = B-. Just: 256/153 = 891.13 cents. Limit: 17-limit. MIDI pitch bend: 20,61

*Hundred-thirty-third subharmonic on C = B-. Just: 256/133 = 1133.66 cents. Limit: 19-limit. MIDI pitch bend: 98,74

Dominant seventh flat nine chord on C - As MIDI

Scale of harmonics on C.

*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59

*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

*Fifty-seventh subharmonic on C = D-. Just: 64/57 = 200.53 cents. Limit: 19-limit. MIDI pitch bend: 21,64

*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53

*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54

*33rd subharmonic on C = C↓. Just: 64:33 = 1146.73 cents. Limit: 11-limit. MIDI pitch bend: 122,78

*Hundred-seventy-first subharmonic on C = G-. Just: 256/171 = 698.58 cents. Limit: 19-limit. MIDI pitch bend: 69,63

*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61

*Twenty-ninth subharmonic on C = D-. Just: 32/29 = 170.42 cents. Limit: 29-limit. MIDI pitch bend: 68,54

*Hundred-sixty-first subharmonic on C = A♭-. Just: 256/161 = 802.90 cents. Limit: 23-limit. MIDI pitch bend: 118,64

*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50

Dominant thirteenth: four-voice version.

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

*77th subharmonic on C = A↓. Just: 128:77 = 879.86 cents. Limit: 11-limit. MIDI pitch bend: 71,89 on m6

*Sixty-ninth subharmonic on C = C♭-. Just: 128/69 = 1069.77 cents. Limit: 23-limit. MIDI pitch bend: 41,54

*Two-hundred-fifty-third subharmonic on C = D↓♭-. Just: 256/253 = 20.41 cents. Limit: 23-limit. MIDI pitch bend: 67,70

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

*Sixty-fifth subharmonic on C = C. Just: 128/65 = 1173.16 cents. Limit: 13-limit. MIDI pitch bend: 52,55

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

*Eighty-fifth subharmonic on C = A. Just: 128/85 = 708.73 cents. Limit: 17-limit. MIDI pitch bend: 101,66

*Twenty-third subharmonic on C = G♭-. Just: 32/23 = 571.73 cents. Limit: 23-limit. MIDI pitch bend: 121,54

*Ninety-first subharmonic on C = F♯. Just: 128/91 = 590.65 cents. Limit: 13-limit. MIDI pitch bend: 0,61

*Two-hundred-twenty-first subharmonic on C = E♭. Just: 256/221 = 254.52 cents. Limit: 17-limit. MIDI pitch bend: 57,49

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Just augmented second in just C scale: A♭ and B.

*Classic diminished fifth on C = G♭. 36:25 = 631.28 cents. Limit: 5-limit. MIDI pitch bend: 1,74 MIDI.